I was editor on this one. While I was editing I put a placeholder V.O. on it so we could determine timing and pacing, and get feedback to our animator Jeremy Woons. Turns out the client like my V.O., so we booked a fancy studio and did a remote session with NYTimes people dialing in from NYC. Jessie Mizrahi, who was producing this project on Ueno’s end, dialed in from NYC as well, and kept asking, “Troy, this is Clem Fandango, can you hear me?”.